Locating the producers : durational approaches to public art /

Additional authors: O'Neill, Paul -- 1970- | Doherty, Claire
Series: Antennae Published by : Valiz (Amsterdam) Physical details: 421 p. ill. 21 cm. + ISBN:9078088516; 9789078088516. Year: 2011
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"NUR 651."--colophon

"The Beyond archive. The digital archive reveals the process that led to dozens of realized and unrealized Beyond art projects."--CD-ROM, About this Archive

Includes bibliographical references and indexes

Locating the Producers : An End to the Beginning, the Beginning of the End / Paul O{u2019}Neill & Claire Doherty -- The Blue House (Het Blauwe Huis) / Paul O'Neil -- The Blue House (Het Blauwe Huis) Overview of Activities and Presentations / Creative Egremont -- A Public Art Strategy for Egremont / Paul O'Neill -- Grizedale Art Manifesto for a Better Life / How to Live at Lawson Park -- Trekroner Art Plan (Kunstplan Trekroner) / Paul O'Neill -- Trekroner Art Plan : Impact of Residents on the Future of Trekroner -- Edgware Road Project / Paul O'Neill -- Edgware Road Project : Postcard / by Susan Hefuna -- Beyond / Paul O'Neill -- The Beyond Archive : CD-ROM -- Curatorial Research : Methods & Conviviality / Mi c k Wi l s o n The Ideology of Duration in the Dematerialised Monument: Art, Sites, Publics and Time / Dave Beech -- Autonomous Education, New Institutions and the Experimental Economy of Network Cultures / Ned Rossiter -- Refflecting on Durational Research in Relation to Durational Practice: A Discussion -- Afterword / Iain Biggs -- Biographies -- Acknowledgments -- Index of Names -- Index of Subjects -- Colophon

"Locating the Producers explores how 'durational' processes to public art curating and commissioning have emerged as an alternative to nomadic, itinerant and short-termist approaches in recent years. It provides an in-depth analysis of five durational projects as its starting point: The Blue House, and Beyond, the Netherlands, Trekroner Art Plan, Denmark, and Creative Egremont, and the Edgeware Road Project, United Kingdom. This book provides a dynamic assessment of different curational methodologies alongside critical reflections on durational projects as counter-spectacles. The authors explore how and why artists and curator-producers are adopting durational approaches to commissioning contemporary art for specific places and how each process conceives of time as part of a cumulative curational practice." Publisher's note

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