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Film, a sound art / Michel Chion ; translated by Claudia Gorbman

By: Chion, Michel 1947-
Material type: TextTextLanguage: English Series: Film and culturePublisher: New York Columbia University Press 2009Edition: [English ed.]Description: xii, 536 s. ill., music 25 cmISBN: 0231137761 (cloth : alk. paper); 9780231137768 (cloth : alk. paper); 023113777X (pbk. : alk. paper); 9780231137775 (pbk. : alk. paper)Uniform titles: Art sonore, le cinema Engelska Subject(s): Sound motion pictures | Motion pictures -- Sound effects | Motion pictures -- Aesthetics | Sound effects | Theaters -- Sound effects | Ljudet i film | Ljudeffekter | Ljud i filmen | LjudeffekterDDC classification: 791.43024 Other classification: Imb | 790 | F634
Contents:
History. When film was deaf (1895-1927) -- Chaplin: three steps into speech -- Birth of the talkies or of sound film? (1927-1935) -- Jean Vigo: the material and the ideal -- The ascendancy of king text (1935-1950) -- Babel -- The time it takes for time to "harden" (1950-1975) -- The return of the sensorial (1975-1990) -- The silence of the loudspeakers (1990-2003) -- On a sequence from The birds: sound film as palimpsestic art -- Aesthetics and poetics. Jacques Tati: the cow and the moo -- The disappointed fairies around the cradle -- The separation -- The real and the rendered -- The three borders -- Audiovisual phrasing -- Alfred Hitchcock: seeing and hearing -- The twelve ears -- Orson Welles: the voice and the house -- The talking machine -- Faces and speech -- Andrei Tarkovsky: language and the world -- The five powers -- God is a disc jockey -- Max Ophuls: music, noise, and speech -- Like tears in rain
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790 (Browse shelf) Available 080047623741

Translated from the French

Bibliografi, index

History. When film was deaf (1895-1927) -- Chaplin: three steps into speech -- Birth of the talkies or of sound film? (1927-1935) -- Jean Vigo: the material and the ideal -- The ascendancy of king text (1935-1950) -- Babel -- The time it takes for time to "harden" (1950-1975) -- The return of the sensorial (1975-1990) -- The silence of the loudspeakers (1990-2003) -- On a sequence from The birds: sound film as palimpsestic art -- Aesthetics and poetics. Jacques Tati: the cow and the moo -- The disappointed fairies around the cradle -- The separation -- The real and the rendered -- The three borders -- Audiovisual phrasing -- Alfred Hitchcock: seeing and hearing -- The twelve ears -- Orson Welles: the voice and the house -- The talking machine -- Faces and speech -- Andrei Tarkovsky: language and the world -- The five powers -- God is a disc jockey -- Max Ophuls: music, noise, and speech -- Like tears in rain

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