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Phototextualities : intersections of photography and narrative / edited by Alex Hughes and Andrea Noble.

Contributor(s): Hughes, Alex 1960- | Noble, Andrea
Material type: TextTextPublisher: Albuquerque University of New Mexico Press 2003Edition: 1. edDescription: xiv, 287 s. ill. 23 cmISBN: 9780826328250 (paper); 0826328253 (paper)Subject(s): Images, Photographic | Literature and photography | Literature and photography | Photography -- Philosophy | Photography -- Philosophy | Fotografi och litteratur | Fotokonst -- teori, filosofiDDC classification: 770/.1 Other classification: Pna | 770 | Inaa
Contents:
Nazi photographs in post-holocaust art: gender as an idiom of memorialization / Marianne Hirsch -- Narratives of place: history and memory and the evidential force of photography in work by Meridel Rubenstein and Joan Myers / Judith Fryer Davidov -- Still moving images: photographs of the disappeared in films about the "dirty war" in Argentina / Catherine Grant -- Image, memory, text / Nancy Shawcross -- Nan Goldin: Bohemian ballads / Chris Townsend -- (Con)text and image: reframing Man Ray's Noire et blanche / Wendy Grossman -- Gender in the archive: María Zavala and the drama of (not) looking / Andrea Noble -- Humanism reimagined: Spain as a photographic subject in W. Eugene Smith's "Spanish village" (1951) and Cristina Garca̕ Rodero's España oculta (1989) / John D. Perivolaris -- Hervé Guibert's photographic autobiography: self-portraiture in L'image fantôme / Alex Hughes -- Sophie Calle's Des histoires vraies: irony and beyond / Johnnie Gratton -- "Neither an odyssey nor a testament": drifting with Jacques Derrida and Catherine Malabou / Marie-Claire Barnet -- In the spiral of time: memory, temporality, and subjectivity in Chris Marker's La Jetée / Jon Kear -- Talking through the "fotygraft album" / Elizabeth Siegel -- The "eyes of affection" and fashionable femininity: representations of photography in nineteenth-century magazines and Victorian "society" albums / Patrizia Di Bello
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Includes bibliographical references (p. 271-280) and index

Nazi photographs in post-holocaust art: gender as an idiom of memorialization / Marianne Hirsch -- Narratives of place: history and memory and the evidential force of photography in work by Meridel Rubenstein and Joan Myers / Judith Fryer Davidov -- Still moving images: photographs of the disappeared in films about the "dirty war" in Argentina / Catherine Grant -- Image, memory, text / Nancy Shawcross -- Nan Goldin: Bohemian ballads / Chris Townsend -- (Con)text and image: reframing Man Ray's Noire et blanche / Wendy Grossman -- Gender in the archive: María Zavala and the drama of (not) looking / Andrea Noble -- Humanism reimagined: Spain as a photographic subject in W. Eugene Smith's "Spanish village" (1951) and Cristina Garca̕ Rodero's España oculta (1989) / John D. Perivolaris -- Hervé Guibert's photographic autobiography: self-portraiture in L'image fantôme / Alex Hughes -- Sophie Calle's Des histoires vraies: irony and beyond / Johnnie Gratton -- "Neither an odyssey nor a testament": drifting with Jacques Derrida and Catherine Malabou / Marie-Claire Barnet -- In the spiral of time: memory, temporality, and subjectivity in Chris Marker's La Jetée / Jon Kear -- Talking through the "fotygraft album" / Elizabeth Siegel -- The "eyes of affection" and fashionable femininity: representations of photography in nineteenth-century magazines and Victorian "society" albums / Patrizia Di Bello

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