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The Oxford handbook of sound studies / edited by Trevor Pinch and Karin Bijsterveld.

Contributor(s): Bijsterveld, Karin 1961- | Pinch, T. J 1952-
Material type: TextTextPublisher: Oxford Oxford Univ. Press 2013Edition: First paperback [edition]Description: xii, 593 s. ill. 25 cmISBN: 9780199995813 (paperback)Subject(s): Noise | Sound | Sound | Sounds | LjudDDC classification: 534 Other classification: 534 | Ucca
Contents:
Introduction: New Keys to the World of Sound / Trevor Pinch and Karin Bijsterveld -- SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR & TEST SITES. 1. The Garden in the Machine: Listening to Early American Industrialization / Mark M. Smith -- 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s / Hans-Joachim Braun -- 3. "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice / Stefan Krebs -- 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry / Eefje Cleophas and Karin Bijsterveld -- SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD. 5. Sound Sterile: Making Scientific Field Recordings in Ornithology / Joeri Bruyninckx -- 6. Underwater Music: Tuning Composition to the Sounds of Science / Stefan Helmreich -- 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 / Julia Kursell -- SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB. 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren / Myles W. Jackson -- 9. Conversions: Sound and Sight, Military and Civilian / Cyrus Mody -- 10. The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data / Alexandra Supper -- SECTION IV: SPEAKING FOR THE BODY: THE CLINIC. 11. Inner and Outer Sancta: Ear Plugs and Hospitals / Hillel Schwartz -- 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives / Tom Rice -- 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants / Mara Mills -- SECTION V: EDITING SOUND: THE DESIGN STUDIO. 14. Sound and Player Immersion in Digital Games / Mark Grimshaw -- 15. The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts / William Whittington -- 16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s / Timothy Taylor -- SECTION VI: CONSUMING SOUND AND MUSIC: THE
HOME AND BEYOND. 17. Visibly Audible: The Radio Dial as Mediating Interface / Andreas Fickers -- 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s / Trever Hagen with Tia DeNora -- 19.The Amateur in the Age of Mechanical Music / Mark Katz -- 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com / Trevor Pinch and Katherine Athanasiades -- SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE. 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity / Ray Fouche -- 22. iPod Culture: The Toxic Pleasures of Audiotopia / Michael Bull -- 23. The Recording that Never Wanted to be Heard, and Other Stories of Sonification / Jonathan Sterne and Mitchell Akiyama
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534 (Browse shelf) Available 080041483614

Introduction: New Keys to the World of Sound / Trevor Pinch and Karin Bijsterveld -- SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR & TEST SITES. 1. The Garden in the Machine: Listening to Early American Industrialization / Mark M. Smith -- 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s / Hans-Joachim Braun -- 3. "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice / Stefan Krebs -- 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry / Eefje Cleophas and Karin Bijsterveld -- SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD. 5. Sound Sterile: Making Scientific Field Recordings in Ornithology / Joeri Bruyninckx -- 6. Underwater Music: Tuning Composition to the Sounds of Science / Stefan Helmreich -- 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 / Julia Kursell -- SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB. 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren / Myles W. Jackson -- 9. Conversions: Sound and Sight, Military and Civilian / Cyrus Mody -- 10. The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data / Alexandra Supper -- SECTION IV: SPEAKING FOR THE BODY: THE CLINIC. 11. Inner and Outer Sancta: Ear Plugs and Hospitals / Hillel Schwartz -- 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives / Tom Rice -- 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants / Mara Mills -- SECTION V: EDITING SOUND: THE DESIGN STUDIO. 14. Sound and Player Immersion in Digital Games / Mark Grimshaw -- 15. The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts / William Whittington -- 16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s / Timothy Taylor -- SECTION VI: CONSUMING SOUND AND MUSIC: THE

HOME AND BEYOND. 17. Visibly Audible: The Radio Dial as Mediating Interface / Andreas Fickers -- 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s / Trever Hagen with Tia DeNora -- 19.The Amateur in the Age of Mechanical Music / Mark Katz -- 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com / Trevor Pinch and Katherine Athanasiades -- SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE. 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity / Ray Fouche -- 22. iPod Culture: The Toxic Pleasures of Audiotopia / Michael Bull -- 23. The Recording that Never Wanted to be Heard, and Other Stories of Sonification / Jonathan Sterne and Mitchell Akiyama

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